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Friday, August 31, 2012
Friday, August 24, 2012
Ode to the Sense of Scent
Ode to
the Sense of Scents
______________________________________________________________________________________
#1) Odors are like broken crayons in an old cigar box under the
bed. You only need them long enough to
color the picture of the memory they invoke.
#2) I see my grandmother as a little girl; catching fireflies,
looking for Robin’s eggs and smelling the Honeysuckle on the fence. I wonder, if she ever wonders, if I will
exist.
#3) Lying on a hammock between two shade trees; doves cooing in the
quiet afternoon; the scent of Eucalyptus and Pine fill the air and the long
summer days pass sweetly in the great northwest.
#4) Sitting on a winter beach, wrapped and warm in your favorite
sweater; waves and gulls fill the afternoon, waiting for the sunset. The smell of the Ocean and seaweed mixed with
the cup of green tea warming your hands make life so lovely you decide never to
die.
#5) I’m held close to my mom’s bosom, strong loving arms holding me
tight. I can smell her apron and the
biscuits just made, mixed with the odor of Lavender soap. The glistening
perspiration on her neck sparkles like the skin of a princess and I could stay
in her arms forever.
#6) The smell of Sandalwood escapes and runs to hide in your nose
as you open the little box that holds your special things. Wonderful memories
of days and years of happiness lived.
#7) Fresh linens and clean cotton hang on a line under the big oak
in the backyard. They play back and
forth with the wind. The smell of rain
brings you outdoors to save your morning’s work. You gather all and rush into the house smelling
of clean linen, soap and sunshine, before the rain.
#8) The woman stood at the perfume counter... “Oh!” she said, “That
‘s not for me, that smells like my grandmother.”
No one wants to smell like granny,
but no one ever remembers what the uncle, aunt or cousins smelled like. But everyone remembers the wonderful light,
floral powder odor of their grandmother.
Maybe it was from all the hugs.
#9) An old man sits on a park bench watching a little boy eat an
apple. The smell of the apple reminds
him of two young hands and a bright shiny new wedding band proudly handing him
a piece of her first apple pie; in their first little apartment, in their first
month of married life. They don’t grow apples that taste that good anymore,
he thought.
#10) Orchids, like Peacocks make you believe in beauty, but the smell
of the Rose makes you believe in God.
#11) Taking a trip to Miami in 1962, down the Old Spanish Trail;
windows open; hair blowing and no cares in the world; the scent of Oranges
cover the whole state and release the soul to enjoy the tropics.
#12) Jasmine: exotic, romantic, erotic, and heady, like making love on
a summer afternoon in New Orleans while the rain falls softly on the banana
leaves in the courtyard.
Thursday, August 23, 2012
A Dangerous Story
“A
Dangerous Story”
By F.J.
Wilson
The Pecan leaves made
lacy designs across her face as she lay in the soft weeds. ‘Mary Beth’ remembered summers of long ago
picking up the pecans in the fall; filling up the burlap sacks and turning in
the bounty at the end of the day for a nickel a pound. So much money for such a
little girl to have, fifty cents or even seventy-five cents on a good
Saturday. But now the old pecan trees
held no bounty, only secrets. Bad
secrets scar the soul and break the spirit.
She lay until the moon came directly over head caressing her wounded
soul and damaged body making her feel young again; strong and invincible.
He
left early; didn’t even bother to wake her; just packed a quick bag and walked
out the door as if going to work. She
knew from his love making the night before he’d be leaving; she felt it in his
touch and in his kiss. Then his eyes said;
this is the end, there is no more; I’ve spent my time here and you’re not enough
for me to stay longer. How to feel? Did she love him? Was she relieved at his leaving? He took too much of her with him. He carried parts of her in his heart and soul
and even his smell held her cologne. She felt used up and dismantled. He took the best parts of her and threw the rest
away; those parts weren’t good enough so he allowed her to keep them.
She
used the biggest knife in the kitchen drawer - the one that always made her
think of bad things in bad people - the one that made her shutter every time
she saw it. Lying quietly under the
trees in the dark she carved her initials in her leg. They’d say she was crazy, but she had to
prove to herself that she wasn’t afraid and she existed outside his love. She was alive and she knew who she was. So she carved her initials in her thigh, in
capital letters, and thought about adding some vines and flowers around the
initials - like an old embroidered handkerchief she’d once seen in a ladies
purse at church - but the blood was coming so fast she couldn’t see how to
place the design so she blotted the
opened places on her leg and applied pressure with the edge of her jacket. She stared at her little farm house on the
edge of the orchard to see if he’d returned, knowing he hadn’t.
As
a moving cloud un-covered the moon Deputy Travis saw the slight movement in the
orchard; low under the tree. It was too
small to be a cow in trouble and no calves had been born lately. Some dread pulled him out of his Patrol Car
and into the orchard. He drew his gun
and walked steadily toward the movement.
It was a person; maybe kids necking or doing drugs.
“I’m a Deputy
Sheriff, stand up and let me see who you are”.
The movement stopped
and the quiet took on an ominous roar in his ears. He heard the stories about this orchard,
about the things people had seen and heard.
“Stand up, I can’t
see you”. His heart beat so fast he had
to steady his gun with both hands.
“I said, stand
up! Put your hands on your head”. That’d let them know he was armed.
“I can’t”. The voice was soft and sad but he could hear
her through the roaring in his ears.
He started to breathe
again, it was a girl and she seemed to be in trouble. Still, he kept the pressure on the weapon.
Women could be just as dangerous as men.
Why was she out here by herself unless she was up to no good?
“I can’t stand
up. I’ve hurt myself”. The voice was weak and very scared.
“Stay there I’ll help
you, do you need an ambulance”?
“I think so”. She panicked when he drove up and the
headlights lighted up the night and the puddle of liquid red that was her
thigh. The fear brought her mind back
from wherever it’d been to cause such violent behavior.
“Oh, Jesus what have
I done”? Morgan stared down at the
butcher knife lying between her legs on the ground, its work over; a tool to be
reckoned with for a job well done; evidenced by the gashes in her leg. Then she remembered she’d come into the
orchard to clear her head and take a break from the characters she’d been
creating on her computer. “Carl” had just left “Mary Beth” in the ghost story
she was writing and it’d become too real for her; she needed to step away and
get a breath of air and go back to it later.
She heard the Deputy
speak into his radio and ask for help as she looked up at the moon and saw that
the moon didn’t care and the pecan lace had begun to ignore her and the very
ground on which she was bleeding seemed to want to be elsewhere. She knew she
mattered to no one and she’d never felt this alone in her whole life.
Travis
walked and talked as he tried to get back to her with the first aid kit and
call for an ambulance at the same time.
He could see the blood through the headlights of the car. There was a
lot of it and she looked to be getting weaker as he ran to her. The blood was coming from large gashes on her
left leg. Moments like this he
questioned his choice of careers.
Travis, by nature was a gentle soul and disliked violence. His mama thought he carried a deep foolish
need to rid the world of all bad
people. His daddy understood him though;
he knew Travis just wanted to make a difference in this world and leave it a
better place for his having been.
“Mam, stay awake for
me okay? The ambulance will be here in a
minute, stay with me alright, we’ll get you fixed up real soon. Just stay with me now. Come on stay with me”.
He pulled the towel
he brought with the first aid kit from the trunk and applied direct pressure to
the wound, praying there was nothing in the gash he was driving further into
her leg, Jesus, why hadn’t he paid more
attention at the EMR Seminars.
“Mam, can you tell me
what happened? Don’t go to sleep okay, I
need you to stay with me and tell me what happened.” She was sinking into unconsciousness but he
could hear the ambulance.
“Thank God, Mark’s on
duty tonight, he gets here before yesterday, this is your lucky day, he’ll be
here any minute. Stay with me now. Yes mam, this could be your lucky day. Can you tell me your name”?
Morgan had to think
through the fog that used to be her memory.
Her name, what was her name, Morgan, of course, Morgan. Who could forget their own name? But when she tried to open her mouth, her jaw
was so heavy she couldn’t make it work and the smell was back, that horribly
sweet bitter smell that clogged the brain and burned the nose. Her name was Morgan, and she was dying and
she was alone but her name was “Mary Beth” character created by Morgan and the
moon was looking down at her with disdain.
Travis
helped get the unconscious woman into the ambulance, and went back to his
Patrol car to report in to the Sheriff.
He’d have to take the big flash light from under the front seat and go
over every inch of that pecan orchard to see if there were tracks or clues to
what happened. He carefully went around
the orchard stepping slowly not to destroy precious information that he’d need
later.
He
should wait for the Sheriff, but he continued to the house alone and walked
around looking inside the windows. The bright lights of the house illuminated
each corner and space a person could possibly hide. One closet door in the bedroom was closed and
stood un-inviting and foreboding. It was
the only place a person could be hiding.
Travis took a deep breath, un-holstered his gun and started up the porch
steps. And continued to look through the windows off the porch.
The little farm house
was just as Morgan left it. Her computer
screen was moving to the tulips of Holland in a favorite screen saver. The cold
cup of coffee next to a pile of mail to be answered, waited to be refilled and
heated and the desk that represented so much of her life stood desheveled and
comfortable waiting for a return. One
wall was covered with the framed awards and book jackets of a very successful
writing career. A broken Ouija Board was the only trash in a small waste basket
under the desk. Books on the paranormal
piled neatly on a small table showed pages flagged and tagged from research in
progress. There was a lingering smell of
rosemary on baked chicken drifting through the open kitchen window drawn out by
the draft from the open front door. The knife drawer was open creating the only
disturbance in an otherwise orderly and homey kitchen. Travis opened the front screen door and
stepped in cautiously, wondering if something happened to him would his dad
remember to let his dog, Missy out of the barn and feed her before
morning. He was getting closer to the
little closet, and thought of all the “Let’s Make A Deal’s” of his childhood.
“Will you take door number one, or what’s behind the curtain?” Travis got in position to open the door and
be prepared to kill. What was that
smell, stronger as he went closer to the closet, sweet, horribly sweet, bitter
and old. And where did the different
fear come from. This was not the fear of
a human adversary waiting in a small closet; but horrible unrecognizable fear.
The fear mixed itself into the sweet horrible smell and became, white
fear, frozen white fear slowing him down and making him sweat. He stopped not because of his fear, but because his feet
wouldn’t move forward. The smell so
sick and sweet now, his nose was stopping up and his eyes were filling with
tears and the tears were blurring his eyes so he couldn’t see. They were running
into his mouth, choking him on the sickly sweet salt of tears. They ran off his
chin and down his arms to his gun and nothing in this world could make him open
that door. He tried to bury his face in
the sleeve of his shirt, but nothing stopped the awful smell. He found
the courage to move and he began to back up toward the front door. The tears dried up and the fear began to lift
and the smell took on a color and it was the color of dried rotting roses. The
putrid color of the smell gathered itself together and floated across his
vision back into the closet. Travis
smelled that odor on the girl in the orchard.
He’d thought it was blood, but now he could identify the sickly sweet
stench of the rotting petals. He heard
the siren of the patrol car coming into the orchard and went out on the front
porch to make sense of what had just happened. And to get away from the evil in
the house.
Curtis
got out of the patrol car and walked up on the porch.
“Jesus Travis, what
happened to you, you look like you gone’ faint boy”?
“Give me a minute,
Curtis, I‘ve been through a lot here, how’s the girl”?
“She aint gone make
it. Did she tell you anything”?
Travis suddenly
became scared and began to sweat again.
Curtis could see he was genuinely frightened of what’d happened
tonight. Travis didn’t want to admit it,
but he knew what ever was in that closet was not from around this planet and
certainly not human. He’d seen enough
ghost stories on TV to know there was some evil in that closet and it had
probably destroyed that poor woman.
“Curtis, you believe
in ghost”? He tried to sound calm, but
his hands were trembling and he had to put them in his pockets so Curtis
wouldn’t notice them.
“I don’t know. Myra and I used to get spooked out in the old
cemetery when we used to go park and neck out there. Why?
You seen a ghost boy”? Curtis
loved picking on Travis. The only way
he could still believe in himself was to keep Travis from out doing him at
every turn. Curtis was too old to be
doing this anymore, but couldn’t quit.
He knew if he quit, he’d die. Being
a Sheriff was all he knew. He had no
other skills and no hobbies and he hated being in the same room with Myra. Travis had come along, a young man, likeable
and good at his job and suddenly Curtis felt old and used up; worn out and
somehow blamed it all on Travis.
“What happened to
her, Curtis”?
“She tried to
monogram herself with that butcher knife you found out there. One sick bitch, boy.”
“God, Curtis, shut
up! Don’t you ever just get sick of your own mouth”?
“Nope.” It irritated the hell out of Curtis for
Travis to pull his ‘better than thou’ gentleman stuff. Of course the woman was sick, cutting herself
up like that. He turned to look at
Travis and saw again how upset the kid was.
Reaching down to a place he kept well hidden he pulled up some sympathy
for the kid.
“Look, kid, this is
tough. I’ve just seen a lot more of this
crap than you. You get a little rough
around the edges over the years. What
did you find inside”?
Travis looked at the
older man and saw he was serious and really wanted to know.
“Evil, pure horrible
evil”.
“Boy, you been out
here in these old woods by yourself too long.
What the hell you talking about”?
“Do me a favor
Curtis”?
“What”.
“Go inside there and
look in the bedroom closet”.
“Why you to scared
to”? Curtis loosened the safety strap
across his holster and went inside.
“Well, come on, give
me some backup, If I’m gonna find the boogie man in the closet, I ain’t doin it
by myself. One damn closet in the whole
house and I can’t believe you aint checked it out. If there was anybody in there, he’d be long
gone out the back while we was standin’ here jawin”.
Travis stood just
inside the front door. He wasn’t about
to go back in the bedroom, but he could shoot from here if anyone should jump
out. Besides, he knew there was no one
human in there to jump out.
Curtis approached the
closet…
“If you’re in the
closet, come out with your hands up, or I’m comin in”. He stepped out of the way of the door as he
flung it open and aimed. Just as Travis
had known - there was no one. Travis
looked at the closet and back at Curtis?
A few dresses, a
sweater and jacket were the only things hanging in the little closet. Travis saw some computer disks and office
supplies on the top shelf. A few shoes
and a tired umbrella took up space where just a few minutes before there was
deep evil.
“I told you kid, you
got ya pecker all shrunk up for nothin”.
Like all people who
have an encounter with another world, Travis began to wonder if he’d imagined
it. After all, he’d been through a lot
tonight with the woman bleeding to death right there in front of him and everything. Other than a few car wrecks that was his
first real look at so much blood and from a suicide yet. Maybe something as morally and spiritually
wrong as suicide creates that kind of evil and he just happened to get in its
way.
“Curtis, I’m gonna go
see that woman and see how she is. You
wanna stay here and lock up”?
“Sure kid, go ahead,
you’ve had a rough one”. Curtis tried to
remember a time he’d been as moved by death as Travis and couldn’t.
Travis got to the
hospital minutes before Morgan died. He
walked softly into the room and looked down at her small deathly white
face. Why would anyone be in such
despair as to kill themselves? And how
could anyone be in such misery as to do it the way she did? Travis bent down close to her ear and started
to say a sweet good-bye to the woman he didn’t know, couldn’t save, and didn’t
understand; but the smell was there, in her hair, on her skin, and mingling on
her last breaths. He jerked his head up
so fast, it startled what was left of her energy and she opened her eyes. She looked into his and recognized the man
who had tried to save her.
“Morgan”? Travis wanted so badly to have the answers of
her life.
“Mary Beth”. She whispered in that sickly sweet breath,
that was so horrible he was going to vomit, and he was having trouble staying
in the same room with her.
Travis
walked out of the hospital in a daze.
He’d never been that close to someone dying before. He needed to get home. He needed to see his mom watching her soap
operas she taped while at work. She’d be sitting in her chair with her shoes
off; stocking feet propped on the little stool that was his grandma’s. He didn’t need to tell her all of this; it’d
just upset her, but he needed to be there in the room with his mom. He could tell his dad all about it later at
the bar over a few beers and he’d help him make sense out of it, but right now
he just needed to be in the room with his Mom.
He needed to smell his mom and get rid of the sweet sick odor of rotting
roses.
Travis drove to his mother’s
house and walked around to the kitchen door.
She was home and just as he hoped was watching her soaps.
“Hey, honey, you want
me to put this on pause”?
“No mam, I just came
to get something out of my old room”.
“What is it, I’ve
been cleaning back there; you won’t know where anything is”.
“You know what, Mom,
I’ll get it later. Are there any cokes
in the icebox”?
“Yeah, honey, help
yourself. Since when do you ask for
something in the ice box”?
Travis realized this
was a mistake, she’d see through him in one more heartbeat if she hadn’t
already and he just wasn’t ready to discuss it yet.
“Travis, honey, come
here, Mama wants to say something to you”.
“Oh shit”, Travis
knew what that meant. She was going to
open it up. He’d just have to think of
something else, even though he was never able to lie to her.
“Travis, now I don’t
want you to get upset about this, but I’ve been thinking of using your old room
as my office. I could work from here
instead of having to pay office space down at the square any more. Would you
mind that too much”?
Travis almost laughed
out loud from relief.
“Mama, that’s not my
room anymore; this is your house. I
have my own house; do what you want.
I‘ll go through it this week-end and get some things I want to keep and
you can sell the rest. I think an office
is a great idea in there”.
“Well, I didn’t want
you to think you never had this house to come home to, if you needed it”.
Travis walked over to
his mom and kissed her on the top of her head and inhaled her shampoo. He had gotten what he needed, he was back on
earth and his feet were once more walking on solid ground. He said a little prayer that it’d be many
years before he had to live without her.
“I’ll see you later, Mom,
I’m going back to work”. He was out the door
before she could offer the usual food or drink, and headed to his patrol car.
The
little farm house looked empty and lost on the edge of the pecan orchard as he
drove up. Could he do this? It was part of his job, part of the
investigation. No one knew but him that he couldn’t stay away. He had to find out what this was that killed
a woman and almost scared him to death.
He’d seen the house, hadn’t he gone through it looking for a
suspect? There was nothing in that house
that looked like a woman would run out into a field and stab herself to
death. He didn’t know that much about
suicides, but he suspected a neat, organized living style didn’t go along with
one. He got out of the car and walked up
the porch steps. The little swing was swaying gently in the night breeze and
the door was shut but not locked. Curtis
must not’ve found a key, which means the locksmith is probably on his way.
The
house was pleasant, and there was a slight odor of rosemary left in the
kitchen. The screen saver was still waving
tulips. The desk was inviting, a little
messy but comfortable and Travis decided to start with the computer first. He picked up the mouse and the computer
jumped to life. There on the screen was
the first page of a story or novel or article, he couldn’t tell what. He sat at the chair that had seen better days
and began to read.
The
Pecan Orchard
By Morgan A. Wallace
The lace of the pecan
leaves made a shadow resembling a scar across her face as she lay on her back,
in the soft weeds under the old pecan tree.
Mary Beth remembered summers of long ago, picking up pecans in the fall,
filling up the burlap sacks, turning…
He read further and
got to the pecan orchard and Mary Beth cutting her legs and then Morgan waking
up having cut hers instead and then he saw himself on the page, pulling up in
his patrol car, he was able to read his thoughts and scrolling down he saw his
fear with the evil thing, and saw his visit to Morgan and her dying. Then he remembered her saying Mary Beth, but
Mary Beth is the woman in the story and Morgan wrote the story. Then Travis read about his mom sitting in her
chair watching TV and talking to him… and by the time he was reading how he had
sat at the computer to find Morgan, it was getting light and his fear had
become a dangerous thing of traps and tricks and he couldn’t see any way
out.
And
then, there was the smell of roses and it was sweet; lovely; enticing and
mesmerizing and he followed it to the orchard.
The air was the color of red
roses and summer. It was safe inside
the ball of sweet air. He wanted to be
there and the only way to get there was to die He wanted that more than
anything he’d ever wanted in his life, so he pulled his gun out of its holster
and walked with the thing to the orchard. The pecan leaves were making morning shadows
on the grass.
Curtis
saw the patrol car parked in front of the old farm house. Had that kid stayed here all night trying to
prove something to himself? He pulled
into the drive and parked next to the other car. The house was asleep, no sign of anyone
around. Curtis walked in and looked at
the place, how neat, how orderly. He
went over to the desk and looked down at the little laptop sitting there,
tulips waving in the Holland landscape.
Maybe he would buy this from the estate.
The coroner made his decision this morning, suicide, and there seemed to
be no relatives as yet. He reached down
and took the mouse and opened the story she’d been working on.
“Well, she won’t need
this now”. Without reading it he highlighted
the pages and hit delete. The screen
turned grey and Curtis felt a rush of cold wind pulling back and out of the
little farm house.
“Jesus, must be some
storm comin up out there”. Curtis closed the computer and put it under his arm
as he walked out of the house. He opened the trunk and put the computer on an
old blanket he kept for his lucky nights with Myra’s sister. He figured he should look for Travis.
“Damn kid’s probably
got himself lost or fell in a well”.
Travis was dying all
morning. He never knew it took so long
to die. When he woke a few minutes ago
he felt fine; he felt his spirit had left and then returned. But he remembered the blood; he’d been
choking on blood all morning. He spat
out a mouthful and looked at his chest, surely he’d meant to hit his heart and
hadn’t. He remembered wanting to die,
but didn’t know why. Must’ve been some
dream. He looked up and saw Curtis
walking towards him.
“Oh, man, not this
early in the morning. Curtis. Why you
out here so early”?
“Hell, I could ask
you that same thing, Jesus, Travis what’s all that blood from, are you
hurt? You shot yourself? My, God, Travis. What the hell’s goin’ on?” He reached down to check on the wound, but
Travis pushed him away.
Travis didn’t know;
he didn’t know anything anymore. All he
knew was he was dying, then he wasn’t.
He was with his mom, then he wasn’t.
He was hating the smell of roses, then loving the smell of roses. He needed his dad, he could tell him all of
this and his dad would help him get to the bottom of it.
“I’m going over to
see my dad. I’ll be gone today”.
“Travis you better
come back here and answer some questions about this blood and that lady dying
in this same spot. You hear me, come on
back now, you got some talkin’ to do.
Travis, you’ve been shot, get back here and wait for the ambulance. Travis, damn it.”
“You have no idea how
many answers I need right now, Curtis, back off”.
Travis got in his
patrol car and pulled out of the orchard.
Curtis was still yelling about ambulances and being told to back off as
Travis turned onto the highway and headed toward town. Sometimes a man just needs to talk to his dad.
The
End
Wednesday, August 22, 2012
An article - Reality TV
This is an article I wrote a few years ago and just found it on a zip drive. It still applies though some of the shows have changed.
Bring back "Playhouse 90", please.
REALITY TV
By F.J. Wilson
I miss my sit-coms
(situation comedies). I miss the
beginning of each season watching the much advertised new comedies starring
un-known actors who will or will not soon become household names; maybe the
next Tom Hanks, or Will Smith. I miss
setting up my TV tray with my dinner and getting comfortable in front of the
TV, ready to laugh out loud at the antics and hi-jinks of my favorite
characters. I mean how many “Rheba” and
“Frazier” re-runs can we watch and still find them funny? Frazier and Niles have turned into un-bearably
stupid snobs that I used to find funny, but now want to hit over the head with
their pretentious Sherry decanter, and I no longer find the Mother in ”Everybody Hates Chris” funny
and cute, just mean and angry and the racist white teacher unbearable What about the new one with Betty White? I love her, I’ve always loved everything she’s
done, but this one seems to be made up of mean spirited one-liners barked between four women for a
quick laugh from the fake audience laugh box.
I’ve had the pleasure of working with Valerie Bertinelli, Jane Leeves
and Wendy Malick, all good actresses.
They were chosen for their special talents in “Frazier”, “Kate &
Allie”, “Just Shoot Me” and of course Valerie came of age and stole our hearts
in “One Day at a Time”. I told myself I’d watch to see if it got better, it
didn’t. It strikes me as odd that Betty
White is proud of her 80 some years, but the other women are trying to play
sexy 30yr olds at 50. “Modern Family” is making a nice showing as
are a few more, however, the only TV the networks want us to watch anymore is
reality television. We have
a man that used to be Bruce Jenner and his family, the Kardashions? Why would this young woman buy three wedding
dresses for one wedding? Her marriage
lasted only long enough for her to wear all three and then ‘good bye hubby, you’re
cramping my style. Been there done that
and have the dresses to prove it.’ Of
course there are the game shows where people have to stay alive on an island
until hopefully are rescued to win a large sum of money. I wonder what the actual people who’ve been
through such horror think of this as a “game”.
“Kate” and her eight kids trying
to live their lives without Dad with TV cameras following them around all day
and night is just a hoot, NOT. We have
Hugh Heffner who’s too old to get dressed so lives in his Pajamas, but wants us
to believe he is sexually satisfying three young blonde women so full of
silicone they could float. No offense to these young women, they seem to be nice
and just enjoying being single, BUT… Whose
“reality” is this anyway?
May we discuss
“Birthday”? I gave birth to one son; there
were complications and it was not necessarily a pleasant experience and the end
result was the love of my life, however, I don’t want to see other women giving
birth as entertainment, thank you very much.
I’ve cried my way through “Extreme Makeover, Home Edition”, “Buried
Alive, Hoarders”, (people who save everything including dead cats and litter
boxes full of dried stuff.) When I was a kid, we called these people lazy
slobs, but now we’re to understand it is a sickness. I’m sure it is, but I’m not entertained by
their disgusting selfish behavior when they choose empty cereal boxes and dead
rats over their family members. “Clean House”
the same people before the cat died and they decided to have a TV crew come in
and clean it. I don’t know about you
folks, but my mom and grandmothers would be spinning in their graves to think I
was showing my messy house to the country as entertainment. “19
Kids and Counting”, stop already your body is worn out. Enjoy the ones you have and let the smallest
ones be babies for goodness sake.
“Housewives of Beverly Hills, Atlanta, New Jersey etc” are an insult to
every woman out here who’ss chosen to stay at home, keep a house and raise
children. Kelsey Grammer’s ex-wife,
Camille (that name ring a bell?
1969? Still don’t remember?)
doesn’t work, doesn’t keep house and has four nannies for two small children that
she chose to have via surrogate and she says not to judge her, she’s a good
mom. The mother in me would like to say
how sorry I am for those children and if you ever see in the news that I was
stalking the woman, it’d be to give those kids a nice hug. I won’t even get into “Jersey Shore”. My grandmother would say, “Nasty people doing
nasty things to each other”.
I bought a DVD of the
first season of “Kate & Allie” the other day. I haven’t seen this sit-com
since I worked on it in 1986/87. I went
home, prepared a lovely dinner, put a linen place mat on a TV tray, put the DVD
in the machine, ate my dinner and laughed out loud at six episodes of the show. After the DVD was through, I began my inevitable
channel surfing again.
Did you know there is
actually a show where you can watch total strangers playing Poker? Who cares??
You want to watch an exciting card game; come watch my friends and I
cheat at bridge and call each other names.
Yes, there have been injuries and the law has been called.
I watch as many
wonderful documentaries as my channels will get, but how many times can you
watch penguins escaping sea lions with the cameraman not helping? My heart goes out to those documentary film
makers, I couldn’t stand by and film the horror, I’d be in there wielding a rolling pen and skillet at heads of animals
just looking for lunch.
"Masterpiece Theatre" is still wonderful, but doesn't come on as often as I'd like.
I’d go back to
reading, but I can’t stay awake long enough to finish a book anymore. I’d just watch old movies, but I’ve seen them
all too many times and I want to re-cast “Ashley Wilkes” with a straight guy,
and teach “Patrick Dennis” how to speak without that strange cadence the little
actor loves so much. And don’t get me started on “Key Largo” with the poor Native
American, Seminoles huddled on a porch during a hurricane with not one hair out
of place and the palm trees being held up by visible wires. If this keeps on I’m going to have to find
something worthwhile to do. Bummer! Maybe I’ll try writing.
Sunday, August 12, 2012
A Star is Born
A Star Is
Born In Mississippi
By
F.J. Wilson
Hattiesburg American
2007
The first movie I
remember as a magical venue for escape was “With A Song In My Heart” the Jane
Froman story starring Susan Hayward and a young Robert Wagner. The sets were lavish, the costumes sparkled
with rhinestones and sequins and a little girl sitting in the dark theater in
Wiggins was transported out of South Mississippi into a world she wouldn’t know
existed for another 20 years. Hollywood. The real magic kingdom of this country has
been the home of America’s film industry for 100 years. Of course once you visit, you wonder where
the magic lives? Where are the
stars? Hollywood itself is now being
renovated from the horrible mess of drugs, run-a ways and prostitution it has
been for the last 30 years. It’s once again safe to walk the old boulevard and
marvel at the names on the side walk. You can fit your hand to those small
fragile ones at the old Chinese Theater and marvel at how small John Wayne’s
feet really were. Hollywood is truly the
museum of the movies, but since movies no longer require California to exist,
we can all be a part of this vibrant industry.
The magic gowns that amazed me as a child are not fairy wings, but
dresses made of satin, crepe, tulle and sequins; designed by the costume designer,
made by the seamstresses, fitted by the costumer and coordinated by the
Wardrobe Supervisor. These works of art
are as real as any piece of clothing you wear today. The sets are painstakingly made of lumber
and nails by “prop makers” and painted by “scenic artists”. The prop master is in charge of hand props
for the actors and the make-up and hair people make the actors more beautiful
than even they thought possible.
As that little girl
sitting in the movie theater I only knew that someday I wanted to be a part of
the magic. I reckoned I’d have to become
an actress to make my dream come true. I
never dreamed there were so many parts to film making; that any one of the
parts could bring a life of travel and excitement. But once I did, I began a journey that would
find me many years later working on films all over the country and parts of the
world. Today, that same little girl would have a chance to audition for the
movies within 50 to 100 miles from home.
With the new tax incentive the Mississippi Film Commission posts
auditions for small films almost weekly all over the state. Our children have another career choice now,
they can choose to be in the film industry and not have to travel 2000 miles to
do it.
In 2000 I left Los
Angeles to move home to Hattiesburg to be with my Mother in her last days. My career was at a point, I no longer had to
go to interviews. I’d built a base of
producers who called on me when a project came along. I could be called to work anywhere around the
country and the prospect of living here and still working in the industry was
marvelous to me. Also, the film industry
in New Orleans was booming. So with only
a few interruptions such as Katrina when the industry moved to Shreveport, it’s
kept me busy. Now, if I could just stay
in Mississippi to work, that would be fine indeed.
Obviously
written before I retired in 2009.
.
Thursday, August 9, 2012
window over my desk
This short, 3 page story or
observation is along the same lines as the mis-conceptions in “The Writer”. This in no way says I’m against divorce; many
times I feel it is absolutely necessary, even got one of those myself. But, having lived my long years and watched
and known couples who’ve stuck through the bad times, the hard times and come
through to old age much happier and content with their spouse; I have to say,
divorce is many times a mistaken quick-fix to anger and disappointments within
the union. I’ve heard friends say… “I
should’ve stayed with my first wife/husband, but it’s too late now, he/she’s
happy with the new wife/husband.” What
about the children? Are they happy with
the new husband/wife?
There is a line in
the 1939 movie, “The Women” (Screenplay
by Anita Loos from the play by Clare Booth Luce) as the elderly mother gently
tries to talk her daughter out of divorcing her husband… “Just remember, it’s
being together at the end that matters.” Also
a great line, “Listen to your mother. Remember,
dear I was a married woman before you were born.”
I wrote this in 2008
and it still applies.
THE WINDOW OVER MY DESK
By F.J.
Wilson
I
can look out of my window, across my desk with its bits of clutter, reflections
of my daily life, and imagine what goes on in the house across the street. The winter light gives it a lovely feel this
morning, partly hidden by the tall Pines; Crepe Myrtle and Elm. In a peaceful venue, it backs off the road
into a shelter of shrubbery and shadow.
It has a large picture window which teases to what’s inside; the life,
the secrets.
Are
there children with hopes and dreams, growing to adulthood with fond memories
of today? Are there good things cooking
on the stove, and school lunches lying in wait for little hands to grab and
run? Is there a sleepy bath robed mother
waiting at the kitchen sink, mug of coffee in hand wondering what in her life
has brought her to this time and place.
Is she standing stoically next to cereal bowls and plastic glasses, smelling
of old Kool-Aid and chocolate milk?
Maybe.
The father is he in the shower, preparing for
another day of work and rat race, looking forward to the week-end and the
camping trip planned? Is he the love of
her life, or has she strayed? Has
he? Do they think of it? Does he still think of her as his baby? Does she still feel safe and loved in his
arms? Are there college accounts in a
bank, set up for the future? Is there
money for groceries; are they behind on the mortgage? Does she overspend to make up for the lack in
her life? Does he? Where is the lack in her life, was it caused
by him, was his caused by her?
Do they still dance
to soft music in the glow of the lights from the Christmas Tree? Pretty packages bringing hope for futures
with plenty. Their private moment, expressing
itself in tender embraces and deep kisses, there, in the Christmas lights
before the day and the little ones awake.
Their children and their noise and clatter, bringing another joy between
the two, a different love, a conspiratorial joy; parents have for their children?
But,
looking again at the house across the street.
Is there a Father? Is this one of
the new generation families where the man of the house has had to set up
accommodations elsewhere, due to irreconcilable differences? Is there really a difference that is truly
irreconcilable, or is it another lawyer term for “My client’s mad as hell at the bastard for
not being the person she thought he should be, and she will not take this anymore”? If so, was his sin so bad he was banished
from his family, and home? Did he not
remember dates, important things in her life he didn’t take time to touch? Little sins that built sin by sin until the
pile was so large, she couldn’t vacuum around or over and so she stopped
loving? Could he not hear her pain when she
spoke? Did she speak it, or expect him
to guess it? Was he too busy making a
living for his family rather than bringing flowers? Was she so demanding of him and his
affections that he couldn’t keep up and so stopped loving? Are the things between these two adults and
their need for perfect love so important they’d sacrifice their children and
the happy home that is theirs by right of birth? Was he a violent man, with power to hurt or
destroy, his being expelled from his home, more safety than want?
Where
are the rules that challenge the expulsion from house and home, of one spouse by
another? Why can it be done so easily when
so many are to suffer from the choice?
Is there a
Mother? Is she on a mission other than
the one with her home and family? She’s
allowed now, to find another way, to desert the home and challenge the working
place, to answer needs not recognized before the first or second child. Where are the rules for her? Where are the old rules, rules lived by our
grandmothers that say, ‘children’s home and happiness first’? When did it become, “Mother’s not going to be
last, anymore; I deserve to be first.” The most important rule; you’ve created life,
now see it through for the good of the lives you’ve created, has been
sacrificed; has been cast aside for greener pastures by one or the other of the
parents because they didn’t try harder to make it work and because they think
leaving will make them happier. Are the
people in that house so sophisticated that they’ve convinced themselves of the
over stated words… “the kids understand, kids are so resilient…” ? Is the house I watch this morning without a
heart?
Ah,
here he comes, out of the front door. There
she is, looking like morning in a tired world, he kisses her, not a husband
leaving for work peck, but a deep lover’s kiss.
He grabs her behind and pulls her close, knee between her thighs; she
looks around to see if there are watchers, then giggles and kisses him again,
the kiss of the married couple the morning after good sex, not had in a
while. The kids come running and
laughing out of the house and get in the back of their Dad’s car with their
school books.
Loving
people, bonded together, against a new and hostile world of families gone awry,
live in the house across the street from my window. The question, “is it good for the individual
instead of good for the family?” is not welcomed in the house across the
street. In the house across the street,
the good of the family comes first to make it good for the individual.
I
go back to my writing and stop invading their world, knowing there is still
hope for the family in this
neighborhood at least.
Oh, look, the house
to my left has left the empty garbage can out all night. Is there a reason? Is someone too weary or angry
or happy to drag it back to its place behind the garage? What is the life in that house?
Sometimes it is so hard just to sit at my
desk, mind my own business and write.
End
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